First numbers for Oricon came in

And they are plenty promising!

Alright first off an explanation of what the Oricon Charts are:

The best way to explain what these charts are is that they are the Japanese equivalent to our Billboard charts and only track sales of CDs from stores that are associated with them (i.e. CDJapan) and they use the numbers from the day prior (as opposed to CDJapan using the actual day they are on) to determine the ranks for a CD.

For these reports I'm going to be using the following rankings:

CD Single Daily
CD Single Weekly
CD Album Daily
CD Album Weekly

Every day that I track here will have the following information:

Number of spots up from the prior day
Number of spots down from the prior day
Number of spots up from the prior week
Number of spots down from the prior week

Let's get started with today's report for the two projects

KAMIJO - LOUIS

8/27 - #14 (Debut on the CD Singles daily chart)

JUPITER - Classical Element

8/27 - #14 (Debut on the CD Album daily chart)

I will be keeping tabs on these as I said and reporting the numbers as I get them for the team.  The purpose is to have a set of numbers that we can use to back up our efforts to try and get promoters in the United States to bring artists over here.  Here's hoping that the projects do well and we'll be able to have plenty of ammo.

Talk to you tomorrow friends

Part 3 of KAMIJO's interview with URE PIA Souken

Better late than never but here is part 3 (and the final part to boot) of KAMIJO's interview with URE PIA Souken.  Enjoy!

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- Versailles and KAMIJO-san’s popularity abroad was really high, that’s why you decided to make a tour around South America and Europe, and you were literally travelling around the world. According to 「Cool Japan」, ways to show Japanese culture to the other countries have been discussed in various forms. But we would like to hear the opinion of KAMIJO-san, who toured around the world.

KAMIJO: People in other countries accept Japanese culture, which pleases me immensely. But the truth is that when you go somewhere, you can meet also people, whose knowledge is really limited. The reason is that not all people in the country have the same level of knowledge about Japan.

Still many people don’t know the good side of Japan and that’s a great loss. At the same time, when Versailles started activities, Visual Kei began to attract the interest in Europe, and then in America and Asia, but also South America started showing its considerable interest. However, months went by, people gradually began to quit and stayed with us only those really good.

That’s why I think the other way than 「Cool Japan」, who says that we don’t treat other countries seriously. With a solid foundation built on the artistic achievements in Japan, I would like to be able to be the representative of Japan in the world. What has become a hot topic lately – I think it’s not good for culture of Japan to go abroad so carelessly.

- So how, do you think, we should support growth of Visual Kei in interested countries?

KAMIJO: I’d like to take all of my wonderful Japanese STAFF abroad. Of course, people in other countries are amazing too, but still Visual Kei scene is not only itself, it’s not only the artist, it’s everyone from staff around it and I think this way would be better. That’s why if I could take everyone with me abroad, I could show the splendor of Japanese Visual Kei, I think. So if I had budget for that, isn’t that a good way to support it?

- So in the current situation, when going on world tour, you have to choose an elite STAFF, who will go with you?

KAMIJO: No doubt there are artists, who do that, but I’d rather say they’re minority. The other thing is that since there is a limit of the number of devices and music equipment that you can take with you on a plane, happens that you have to rent them for example on the spot.

The Visual Kei scene is really amazing. I think that if it was only the music, it would be created only by musicians. But Visual Kei are not only musicians, its make-up artists, photographers, videographers, many different artists are involved in creating music, to be able to hear it better. Many staff employees are involved also in songs and I wonder whether in this way Visual Kei scene doesn’t become deeper? I think that this scene is more united than others. That’s why I think that Visual Kei is the greatest. Taking this opportunity, I would like to say「Thank you」to every Staff worker of the scene. From now on let’s keep livening up Visual Kei together.

Part 1 of an Interview with KAMIJO from URE PIA Souken

NOTE:  This interview was translated by my friend Arianne from the Poland Street Team with my help checking for errors.  The two places I am posting this are here and my tumblr.  If there's any corrections I missed I apologize but this is the best I could do for her.

Have fun

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Solo debut of 「KAMIJO」, the young nobleman from School of Aesthetics! Brilliant story about the charm of Visual Kei full of 「poison」

Interview: Fujitani Chiaki
Translation: Ariane
Corrections: Amisbro (Joshua Curtis)

Leader of the Visual Kei band called Versailles, Kamijo appears with his solo debut and he also appears in URE PIA Souken!  We made a long interview with him about his solo single bewitching with its 「aesthetics」and about warm love to Visual Kei.

Versailles, the Visual Kei band, which with its beautiful way of perceiving the world was very famous even abroad, followed the concept of 「Descendants of the Rose」.  Leader of the band, KAMIJO-san on the 28^th of August will debut with his long awaited solo single『Louis ～Enketsu no La vie en Rose～』.  And in this kind of mood he visited URE PIA Souken! This interview is about his policy, approach to 「School of Aesthetics」.

- Kamijo-san, what made you think about the solo career, if earlier you have been active in bands?

KAMIJO: Versailles’ hiatus at the end of last year. I didn’t think of any other method, but solo career as the next method to express myself, so from the beginning I was thinking of debuting as a solo artist.

- So didn’t you think about creating a band for example?

KAMIJO:  I’m already in the band Versailles. And I was thinking if I’m good. Excluding Versailles I was playing in a band called LAREINE (major debut in 1999 and went on hiatus in 2007), that’s why I was thinking if I really need any other title in current situation? That’s why under the name 「KAMIJO」 I’ve started a solo career.

- And your debut single is to be released on 28^th of August『Louis ～Enketsu no La vie en Rose～』.

KAMIJO: The word 「Enketsu」is a word formation.  It should be understood as 「The charming color of blood」. Because I like France very much, initially the name of a band LAREINE was taken from French word describing QUEEN, so Marie Antoinette. It’s similar with Versailles, so all the time I was active (in projects) having the names related to French history. However, obviously 「KAMIJO」isn’t related to French language at all. It’s Japanese language with its full blast (laugh). That’s why I thought of using 「Louis」as a name for debut single.

- The name 「Louis」 brings to mind the king of France, Louis XVI, who was executed during The French Revolution.

KAMIJO: Yes, that’s right. For generations the word 「Louis」 was addressed to a king, that’s why I chose this name.  I created the song carrying so many various wishes, which match the scene of Visual Kei.

- Moreover, in addition to main song, B-side tracks 『Grazioso』and『Gensō trianon』on regular edition have been recorded.

KAMIJO: 『Grazioso』in Italian means 「Elegantly」.  This piece is probably the same story as written in 『Louis〜』, but seen from the other angle, because I think that everyone is living their life in a different way.  And I also ask myself, if I will go through my life in my individual elegant way.  Seems like I simply put my feelings about walking this path into this song.

『Gensō trianon』is also related to The French Revolution, but I want to entrust the question of “what kind of person is the main character?” to the listeners.  This song is already one year old and at first its title had to be 「Maboroshi」 (Illusion) and I’m glad that exactly like if illusion became reality, this song finally was able to see the daylight.

(The end of part 1 of 3)